"processed and distributed over 8
channels . . . . . the human voice continues to sizzle throughout the piece, quite prominent extreme stretchings and
resamplings provide a hallucinatory, alienating sound environment"
----- review from ORGETUIGE / SKYNET.BE, Week van de Hedenaagse Muziek in Gent,
“Goelle Leandre’s vocal techniques are the source of Jeremy
No. 15. An arresting and
highly original work. . . . . Another standout in the program was Jason Bolte’s Forgotten Dreams, with a great performance by double bassist Jeremy Baguyos.”
-----Spencer Toppel/Jon Appleton, Review from
ARRAY, journal of the International Computer Music Association (2008)
"A number of extended techniques (behind the bridge playing, sul ponticello, and glissandi)
were well executed by Baguyos. . . . . The contrabass playing was impressively in tune, residing mostly in high thumb positions."
-----Review by T. Levin
from KCMETROPOLIS.ORG, Kansas City's Online Journal of the Performing Arts (February 2011)
"I would like to congratulate you on getting some music
technology going in Nebraska."
-----Max Matthews (March 2011)