Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic


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Computer-mediated sound artist pursuing the new art music at the intersection of tradition and technology 

EDUCATION

MM in Computer Music, Peabody Conservatory of Johns Hopkins University (2005) (primary studies with McGregor Boyle)

BM with high distinction in Double Bass Perf., Indiana University, Bloomington (1991) (primary studies with Bruce Bransby)





Objectives
Advancement within University of Nebraska Omaha beyond academic rank of Assoicate Professor.

National Research funding, Performance, Lecture, and publication opportunities

Jeremy Castro Baguyos

Double Bassist and Academic Computer Musician


PROFESSIONAL EXPERIENCE IN HIGHER EDUCATION

University of Nebraska at Omaha (2007-present)

Position: Associate Professor of Music Technology and Double Bass, (Tenured), Graduate Faculty

Department of Music  - College of Communication, Fine Arts and Media

School of Interdisciplinary Informatics - College of Information Science and Technology

Teaching Duties: Classroom instruction in Digital Synthesis and Music Programming, Audio Recording, Music Informatics, Audio for Multimedia, IT innovation, applied instruction in double bass, Information Systems Special Topics courses in Artificial Music Intelligence/Automation and Virtual Reality

Service Duties: Director of UNO Music Technology Ensemble (A.M.I.), Director of Virtual Music Week, Technical Producer for KVNO’s Sounds From Strauss Radio show, maintenance of music technology labs and recording studio, recording staff supervision, sound reinforcement staff supervision, grant writing, recital committees, audition committees, Music departmental committees, recruiting, Faculty Senate (2009-2011), Academic & Curricular Affairs Committee (2009-2011), University Facilities Committee (2008-2011), CFAM Technology Committee (2009-pres), si2 Undergraduate Program Committee, si2 RPT Committee Chair, faculty recital performance, Coordinator of Orchestral Activities (2008-2009)

Sauk Valley Community College, Dixon, IL  (2005-2007)                                                             

Position: Assistant Professor of Music

Duties:  Classroom instruction of Music Technology & Audio Production, Music Theory, and Music Appreciation, design, roll-out, configuration, and maintenance of music technology labs, main recording studios, and theater control room, sound reinforcement and live recording, audio-visual support within music department and in support of other campus departments, acoustical treatment of music rooms, staffing, training, and supervision of work-study and hired assistants, audio tech support for Woodlawn Arts Academy partner and other community organizations, instruction of double bass and electric bass, instruction in Jazz improvisation, Director of Sauk Valley Community College Jazz Ensemble

Peabody Institute of Johns Hopkins University, Baltimore, MD  (2002-2005)                            

Position: Graduate Assistant in Computer Music

Duties: maintenance of primary computer music studio, music technology lab, and “Virtual Concert Hall,” recording and audio services for Peabody students and staff, sound reinforcement and concert production, audio/visual support for other departments, network administration, software and hardware database maintenance, web site development and maintenance, studio documentation

Grambling State University, Grambling, LA  (1996-1998)                                                                  

Position: Lecturer in Music

Teaching Duties: Applied Music Instruction in lower strings, orchestra sectionals, chamber music

Service Duties: recruiting, recital performance

Indiana-Purdue University at Ft. Wayne, Ft. Wayne, IN  (1994-1995)       

Position: Visiting Instructor of Music

Duties: cello, string bass, and bass guitar instruction, sectional coaching, recruitment, string methods class, chamber music coaching, perform with Ft. Wayne Philharmonic and IPFW String Trio

 


SELECTED PUBLIC PERFORMANCES OF ORIGINAL COMPUTER MUSIC COMPOSITIONS


Toronto International Electroacoustic Symposium, Toronto, ON, CANADA, Aug 14, 2014

Northwestern State University, Magale Recital Hall, Natchitoches, LA, Sept. 25, 2013

Kansas City Fringe Festival / KCEMA at the Arts Asylum, July 26, 2013, Kansas City, MO

Rite Returns at the Holland Performing Arts Center, Feb. 25, 2013, Omaha, NE

Logos Foundation at Logos Tetrahedron, March 1, 2012, Gent, BELGIUM

Electronic Music Midwest, September 30, 2011, Kansas City, KS

Lawrence University Recital Series, March 23, 2011, Appleton, WI

Center for Contemporary Culture/Sonoscop Zeppelin, December 10, 2009, Barcelona, SPAIN

Golen Art Gallery, “Beatury, Horror, Silence” Festival, December 6, 2009, Miami, FL

Electronic Music Midwest, November 7 2009, Kansas City, KS

Analynn Fassler Percussion Recital, Univ. of NE at Omaha, April 23, 2009, Omaha, NE

Conference of the Society for Electroacoustic Music in the USA, April 18, 2009, Ft. Wayne, IN

UCM New Music Festival, Univ. of Central Missouri, March 3, 2009 Warrensburg, MO

Seoul International Computer Music Festival, November 9, 2008, Seoul, SOUTH KOREA

Electronic Music Midwest at Lewis University, October 18, 2008, Romeoville, IL

Digital Art Weeks, “Diamond in the Mud,” September 2008, Literaturhaus Basel, SWITZERLAND

International Computer Music Conference, August 25, 2008, Belfast, Northern Ireland, UK

Susan Tomkiewicz Recital at International Double Reed Society Conference, July 23, 2008, Provo, Utah

Peter Madsen Trombone Recital at University of Kansas, April 9, 2008, Lawrence, KS

College Music Society Super Regional Conference, March 29, 2008, Normal, IL

Center for Contemporary Culture/Sonoscop Zeppelin, March 2008, Barcelona, SPAIN

Tim Howe Trombone Recital at Iowa State University, November 15, 2007, Ames, IA

Electroacoustic Juke Joint at Delta State University, November 10, 2007, Cleveland, MS

Electronic Music Midwest, October 13, 2007, Kansas City, KS

Conference of the Society for Electroacoustic Music in the USA, March 10, 2007, Ames, IA

International Computer Music Conference, November 7, 2006, New Orleans, LA

60x60 @ Electronic Music Midwest, Oct 12, 2006, Lewis University, Romeoville, IL

Spring in Havana Festival of Electroacoustic Music, March 6, 2006, CUBA

San Jose State University, April 14, 2005, San Jose, CA

Peabody Conservatory, Nov. 3, 2004, Jan. 26, 2005, and Feb. 13, 2005, Baltimore, MD

Festival international de música electroacústica, October 17, 2004, Santiago, CHILE

Des Moines Metro Opera, July 4, 2004, Iowa, USA

DECADANSE ELECTROLUNE, June 6, 2004, FRANCE

Zeppelin 2004: Caos>Sonoscop, Barcelona Center for Contemporary Culture, May 2004, SPAIN

Hyde Park Art Center / Marc Realty Sound Canopy, February 2004, Chicago, ILL

Smithsonian Traveling Exhibit and Concert:Yesterday’s Tomorrows, November 21, 2003, WV

Electric Rainbow Coalition Festival at Dartmouth College, August 23, 2003, Hanover, NH

IntermediaFest, Digital Media Center of Johns Hopkins University, May 9, 2003, Baltimore, MD



PUBLICATIONS IN MUSIC TECHNOLOGY


"Performance Methods For The Interpretation of Tape Music." 

“Aspects of Coordination Between Fixed Media Electronics and Contrabass in Mario Davidovsky’s 

Synchronisms No. 11,” Journal SEAMUS, 2012

“Summary and Transcript: ICMC 2010 UnConference UnSession on Computer Music Performance,” Array 2011

"Utilizing Electronics in the Performance of Druckman's Synapse>Valentine" UCM 2011 Proceedings

“An UnConference UnSession on Computer Music Performance,” ICMC Proceedings 2010

“About and Within the 2008 Seoul International Computer Music Festival,” Journal SEAMUS, 2010

“SICMF 2008,” Computer Music Journal (MIT Press), Summer 2009

“Synergetic Strategies In The Development of Music Technology,” ICMC Proceedings 2009

“Literature and Practice of Music For Double Bass and Tape,” Bass World, 2008

“Davidovsky’s Synchronisms No. 11,” Bass World, 2007

“Reconsidering Milton Babbitt’s “’Who Cares If You Listen,’” Northern Virginia Review, 2006

“Synapse>Valentine: Reuniting the Acoustic and the Electronic,” ICMC Proceedings, 2005

“Interactive Computer Music for Double Bass,” Bass World, Spring 2004



APPEARANCES ON RECORDINGS (as double bassist and/or computer musician)


Music From SEAMUS Vol. 19, SEAMUS, 2010, solo recording of Boyle’s Yahaney Inlet

Uncoiled Oscillations, OCD Media, 2005, solo double bass CD of interactive computer music

Dvorak’s Stabat Mater, NAXOS 8.555301-02, 2002, bassist with Washington Chorus and Orchestra

Reflections, Strings Attached SACD0699d, 1999, bassist with Shreveport Symphony

Menotti’s Goya, Nuova Era Records (ITALY), 1992, bassist with Spoleto Music Festival XXXIV



PUBLIC LECTURES AND PRESENTATIONS


Lecture-Recital: “Interactive Computer Music for Double Bass”

Convention of the International Society of Bassists, June 2011

"Utilizing Electronics in the Performance of Druckman's Synapse>Valentine"

UCM New Music Festival/Society of Composers, Inc. Region VI Conference 2011, April 9, 2011

"Electroacoustic Composition and Performance"

Science Hall 128, Lawrence University, Appleton, WI, March 24, 2011

Pre-concert lecture

Harper Hall, Lawrence University, Appleton, WI, March 23, 2011

Panel: “The Library, Music & Collaboration”

Omaha 10­–10­–10, October 11, 2010

“An UnConference UnSession on Computer Music Performance”

International Computer Music Conference, June 2010

Lecture-Recital: “Electronic Music of Mario Davidovsky”

Convention of the International Society of Bassists, June 2009

“Interdisciplinary Music History”

European Studies Conference, Omaha, NE, October 3, 2009

Double Bass Masterclass

University of Nebraska, Lincoln, NE, October 28, 2008

Double Bass Masterclass

Iowa State University, Ames, IA, November 13, 2007

“Timbre and Intelligence in the Digital Domain”

International Society of Bassists Convention, Oklahoma City, OK, June 6, 2007

“Timbre and Intelligence in the Digital Domain”

Arkansas Tech University, Russellville, Arkansas, March 13, 2007

“The Ages of Humanity:  The Integration of Music and Art into Core Curriculums”

Meeting the Challenge, Illinois Arts Council Teacher Training Sessions, January 6, 2006



SELECTED MEDIA COVERAGE


Sounds From Strauss, KVNO 90.7, Winter 2011–2012, Omaha, NE

Afternoon New Music, WKCR, 89.9 FM, April 1, 2009, New York, NY

Interview for Nebraska ASTA Newsletter, Fall 2009

Omaha World-Herald, Coverage of Virtual Music Week, March 9, 2009

Radio Interview, KVNO 90.7, May 1, 2009, Omaha, NE


Review from Array (the journal of the International Computer Music Association), 2008

“Goelle Leandre’s vocal techniques are the source of Jeremy Baguyos’s Balancoire No. 15. An arresting and highly original work, it suggests life in a surrealistic bird sanctuary.”  


Review from Array (the journal of the International Computer Music Association), 2008

“Another standout in the program was Jason Bolte’s Forgotten Dreams, with a great performance by double bassist Jeremy Baguyos.”   


Review from Journal SEAMUS (journal of the Society for Electroacoustic Music in the U.S.), 2009

“Jeremy Baguyos’s Fanfare for trombone (played by Timothy Howe) and electronics was as equally indebted to native music, particularly of Tibet, as to modern experimental composition.”    

Review from Assymetry online magazine 2008

"In Fanfare, written for Timothy Howe, the live electronics extend the trombone into beautifully harsh and clanky realms"


Afternoon New Music, WKCR, 89.9 FM, June 13, 2006, New York, NY

Sauk Valley Newspapers, “Howl Dog Studios,” May 2006

Sauk Valley Newspapers, “Chindogu” in Cuba, Dec 2005

Foldover, WOBC 91.5 FM, May 8, 2006, Oberlin, OH

Radio Interview, WIXN, 1460 AM, 2005, Dixon, IL

Version Radio, WBPR, April 17, 2004, Chicago, IL

Northwestern University Radio, WNUR 89.3, Evanston, IL, June 24, 2004

Chicago Public Radio WBEZ 91.5, Jan 14, 2004, Chicago, IL

Radio Yekaterinburg, Fall 2003, Yekaterinburg, RUSSIA



HIGHLIGHTS OF ORCHESTRAL DOUBLE BASS PERFORMANCE


Current Appointments:

Omaha Symphony (2011-2012)

Position: Section Bass (1-year appointment)

Lincoln Symphony (2007-pres)                                                                                                    

Position: Section Bass (Tenured), 2nd Chair

Des Moines Metro Opera Orchestra  (1996-pres)

Position: Principal Bass (Tenured)


Past Full-time Appointments

Shreveport Symphony Orchestra, (Louisiana)  (1995-1998)                                                 

Position:  Full-time Core Double Bass (2nd Chair), (Tenured)

Orquesta Filarmonica de GC, SPAIN  (1992-1994)                                                                  

Position:  Principal Bass (1993-1994), Section Bass 2nd Chair (1992)


Past Professional Experience as Sub/Extra/Part-time Appointment:

Kansas City Symphony, Kansas City, MO, Substitute     (2009-2010)

National Philharmonic, Bethesda, MD, Section Bass       (2004-2005)

Milwaukee Symphony, Milwaukee, WI, Substitute           (2004-2004)

Washington Bach Consort                                                (1999-2004)

Kennedy Center Opera House Orchestra, DC, Guest Musician                                                                                                                                                        (1999-2004)

National Symphony, Washington, DC, Substitute              (1998-1998)    

Fort Wayne Philharmonic, Ft. Wayne, IN, Section Bass    (1994-1995)

Spoleto Music Festival, Charleston, SC & Spoleto, ITALY, Principal Bass                                                                                                                                       (1991-1991)


Performances Under the Following Conductors:


Leonard Slatkin, Mstislav Rostropovich, James Levine, Maxim Shostakovich, Zdnek Macal, Heinz Fricke, Placido Domingo, Carlos Kalmar, Valery Gergiev, Andreas Delfs, Andre Previn, Victor Yampolsky, JoAnn Falletta, Thomas Wilkins, Michael Stern



HIGHLIGHTS OF SOLO/CHAMBER APPEARANCES


Dittersdorf Concerto with UNO Heartland Chamber Orchestra (2011)

Lawrence University Guest Artist Recital (2011)

Kansas City Electronic Music Alliance Recital (2011)

Organ Vespers (2010)

Omaha Conservatory Orchestral Institute Faculty Recital (2010, 2009)

University of Nebraska at Omaha Faculty Showcase Recital (2012, 2011, 2009)

Ensemble A.M.I. (2011, 2010, 2009)

University of Nebraska at Omaha Faculty Recital (2008)

International Society of Bassists Convention (2011, 2009, 2007, 2005)

International Computer Music Conference (2006)

Society for Electroacoustic Music in the United States (2009, 2008, 2007, 2005)

Peabody Conservatory Recital (2005)

Peabody Computer Music Consort/ISMIR (2003)

Peabody Computer Music Consort/Smithsonian (2003)

21stCentury Ensemble (2003)

Dartmouth College/Electric Rainbow (2003)

Washington DC Kennedy Center Terrace Theater (2002)

Des Moines Metro Opera Chamber Music Series (1999-2011)

Shreveport Symphony Chamber Music Series (1996, 1997)

String soloist on D. Shostakovich Symphony No. 14 with Orquesta Filarmonica de GC (1993)

Orquesta Filarmonica de GC Chamber Concerts (1992)

Double bass soloist on Per Questa Bella Mano with Columbus Indiana Philharmonic (1991)

Spoleto Music Festival Chamber Concerts (1991)



AWARDS / HONORS


Nebraska Arts Council Grant, 2011 & 2013

UNO UCRCA grant, 2010

UNO UCAT Professional Development Grant, 2009, 2011, & 2014

UNO UCRCA mini-grant, 2008

Peabody Institute Career Development Grant, 2005 & 2006

Highest individual teaching award received from NMF American Music Educators Initiative 2001

Institutional Grant from Scot Opler Foundation for Humanities Web Site, 2000

Finalist, International Society of Bassists Orchestral Competition, 1997

2nd Place, Indiana University Bass Concerto Competition, 1991



SERVICE TO PROFESSION


Paper Reviewer for ICMC Conference, 2012

Music Reviewer for SEAMUS Conference, 2011

Editor, BASS WORLD, journal of the International Society of Bassists, 2010-2012

Editor, OJBR, peer-reviewed journal of the International Society of Bassists, 2011-present

Steering Committee, Music Editor, and Moderator, European Studies Conference, 2009-pres

American Federation of Musicians DMMO Orchestra Committee Member, 2006–2010

Myauditions.com Audition Committee Member (2006)



PROFESSIONAL AFFILIATIONS


International Society of Bassists

International Computer Music Association

Society for Electroacoustic Music in the United States

American Federation of Musicians

American Association of University Professors

American String Teacher Association

Virginia Society for Technology in Education

ASCAP



REFERENCES

Available upon Request